Posts Tagged ‘Victorian’

1817, Waterloo Bridge.

Fred and John stood on the south bank of the river, watching as the excited crowd paid their tolls and stepped onto the new bridge. It stretched across the Thames in nine elegant arches, north and south banks meeting somewhere above the darkly flowing waters.

“Grand, isn’t it?” John said. “Like looking at the future.”

“It’ll be handy,” Fred agreed. “Much easier to get to those apprenticeships Master Brown offered.”

“Easier for me to see Sally, too.” A distant smile suffused John’s face.

“You know there are other girls in London, right?”

“Not for me.”

Fred rolled his eyes, but he smiled. At least they could cross the river together each day.

“If we’re going to train as masons, we might get to build things like this. We should go across, see what it’s like.”

“Well then.” John patted his jacket, and there was a clink of small coins. “Let’s try the future of bridges together.”


1831, New London Bridge.

“That’s good work,” John said, eyeing the new bridge. “You must feel proud.”

Like Waterloo Bridge before it, this was a series of granite arches, an elegant stretch of grey stone connecting the south bank to the north, the world of home to the world of work.

“It’s grand to think I helped make it.” Fred grinned. “But now I’ve got to look for other work. It’s not like building houses.”

John shrugged. “It won’t make me rich, but I need the reliability.”

“Come on, I haven’t tried my own handiwork yet.”

They joined the swell of people making their way across the bridge, some hurrying about their business, others taking time to watch the demolition of the old London Bridge.

“How’s family life?” Fred asked.

“Wonderful but tiring.” John smiled. “I haven’t had a night to myself in years.”

“I know.” Fred looked away, scowling at the demolition crew. “I’m proud of what we did here, but I don’t like the way the city keeps changing. It was good enough when we were young.”

“World’s got to change. You can’t keep crossing the same bridge every day, because the river changes underneath it.”

“I liked the old bridge,” Fred snapped. “I still like Waterloo Bridge too. Why do we have to leave them all behind?”

“To build a better future.”

“That’s just an excuse to abandon what you had.”

They reached the end of bridge and stood staring back across, unable to meet each other’s eyes.

“I should get to work,” John said.

“Good for you,” Fred replied, and strode away.


1862, Westminster Bridge.

Fred saw a familiar face, framed by hair that had mostly gone grey. He hesitated, caught between fond memories and bitter ones, then walked up to John and held out his hand.

“Hoped I might see you here,” he said.

John smiled back, a little awkwardly.

“New bridge replacing an old one, I thought you’d come and see, even if it’s not stone this time.”

“Got to see what the competition are doing.” Fred gazed at the sweeping structure of cast-iron beams, and nodded approvingly. “There’s a few years left in stone, and that’s all I need.”

“Want to give this one a go?”

Fred swallowed, then smiled. “Of course.”

They set out across the crowded bridge, working their way around riders, carriages, pedestrians, and the occasional hand cart.

“How have you been?” John asked.

“Not bad. I kept thinking about something you said, about the river not being the same. Realised I needed to change, so I set up my own business, working on those grand houses in Kensington and Chelsea.”

“No wonder you’re dressed so smart.”

Fred looked down at his tailored suit, then at John’s patched jacket. Doing well usually made him feel good, but not today.

“How’s the family?”

“My Alf worked on this,” John said proudly, tapping a foot on the bridge. “Iron work keeps growing, so that’s him and the grandkids sorted. Did you ever…?”

“No.” Fred shook his head. “That was one thing that didn’t change.”

They reached the end of the bridge and stood in awkward silence while the crowd jabbered around them.

“I missed something out,” John said. “Back when I talked about the bridges always changing.”

“Oh?” Fred looked at him, catching the weight of emotion in his voice.

“All that change is easier to accept with the right person to talk to as you cross.”

Fred smiled. “Let me buy you a pint or three. We’ve got years to catch up on.”


1873, Albert Bridge.

Fred stood by the end of the bridge, an elegantly simple looking construction whose cables reminded him of the rigging of ships on the river. He used his walking stick to keep him steady as the crowd battered at him. It was harder to spot anyone these days. His sight wasn’t as good and he couldn’t look over heads any more. But at last, a familiar face emerged.

Except that it wasn’t. This face was younger, the eyes brighter, and for a moment Fred felt the decades fall away, before they came crashing in.

“Mister Jones?” The younger man asked, moving in to shelter Fred from the worst of the traffic.

Fred nodded and fought back a tear. He knew what was coming.

“I’m Alf, John’s youngest. He passed away two days ago. We weren’t sure how best to tell you, and…”

The words drifted off as Alf fought to control his own grief.

Fred gestured across the bridge with his stick.

“We were going to walk this new bridge together,” he said, a lump in his throat. “I think I’ll still go. Will you lend me an arm to lean on? I can tell you about your dad when he was young.”

Alf smiled and brushed dust from his eye.

“That would be grand. I always love to hear about the past.”


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What if someone had conquered the Vikings, someone claiming to be their gods?

What if King Arthur’s knights met a very different metal-clad warrior?

What if you were ordered to execute a statue, and hanging just didn’t seem to work?

These short stories explore different aspects of history, some of them grounded in reality, some alternative takes on the past as we know it. Stories of daring and defiance; of love and of loss; of noble lords and exasperated peasants.

From a Foreign Shore is available now in all ebook formats.

I’ve been making Lego models of my books again. This week, a scene from Victorian steampunk adventure Guns and Guano, available for free from Amazon and Smashwords.

Governor Cullen throws a party welcoming the adventurers of the Epiphany Club to his island.

Governor Cullen throws a party welcoming the adventurers of the Epiphany Club to his island.

Sir Timothy Blaze-Simms entertains the guests by making an engine out of a napkin and a wine bottle. Don't forget, Sir Timothy, you're hear on a mission!

Sir Timothy Blaze-Simms entertains the guests by making an engine out of a napkin and a wine bottle. Don’t forget, Sir Timothy, you’re here on a mission!

Governor Cullen tries to get Dirk Dynamo into the party spirit, while Isabelle McNair chats with Braithwaite and his impressive beard. Look how much Dirk loves a party!

Governor Cullen tries to get Dirk Dynamo into the party spirit, while Isabelle McNair chats with Braithwaite and his impressive beard. Look how much Dirk loves a party!

bookdesign346Writing Excuses continue to provide excellent writing advice and interesting exercises through their podcasts. And so I keep beavering away at the exercises, and where possible using them for work in progress. This week, I’m working on book three of the Epiphany Club series, Aristocrats and Artillery, using the exercise from episode 10.19:

Write dialog in which each of the speakers has a different subtext and motive. Without explicitly stating those, try and make them clear to the reader.

This dialogue is between Isabelle McNair, adventurer and scholar with the Epiphany Club, and Louis, the King Under Paris. Prussian forces are invading France, Napoleon III has been overthrown, and the war is approaching Paris…

The Dialogue

“Your Majesty.” Isabelle curtsied before the King. “So good of you to see us again at this difficult time.”

“Indeed.” There was a secretive little smile at the corner of Louis’s mouth. “The Prussians draw ever closer, and we both know that a republican government cannot stop them.”

“A situation which only makes my plea more urgent.” She rose and looked him in the eye. “Paris is full of priceless artefacts, sources of knowledge that might be endangered by the war.”

“Or by the ignorance of the Prussians.” Louis nodded. “Take this for example.”

He drew back the cloth on the table next to him, revealing a stone tablet. A tablet like the two in Isabelle’s room back at the hotel, packed and ready to depart. This time he favoured them all with his knowing smile.

“To some it just looks like a rock.” The King ran a finger across the engraved surface. “But to persons of learning it could be a source of great knowledge.”

“Indeed.” Isabelle’s voice remained remarkably calm. “We should ensure that it is safe.”

“We should ensure that the whole city is safe from the invaders. And for that I need all the support I can muster.”

“You will need supporters abroad.” Isabelle made a small gesture with her hand, taking in all three members of the Epiphany Club. “People with influence in foreign governments. Respected organisations that can quickly win diplomatic support for your regime.”

“And I would reward such friends greatly.” The King smiled and pulled the cloth back across the stone. “Once my city and my country are secure.”

Did It Work?

So, readers, what did you think the characters’ motives and subtexts were in that conversation? Is it clear, incomprehensible, actually a little too obvious? Please let me know how I’ve got on.

bookdesign346Doesn’t time fly when you’re writing? It’s May already, and Writing Excuses are a third of the way through their year-long podcast writing course. I still feel like I’m learning a lot from it, and recommend it anyone who’s into writing, especially writing sf+f.

This week’s exercise is:

Pick your gee-whiz, whatever it may be, and describe it in 150 words from ten different perspectives. Yes, that’s 1500 words.

I suppose the biggest gee-whiz factor in my Epiphany Club stories is the steampunk technology, so I’ve picked a moment involving this from the third book, which I’m currently working on. Here’s the emergence of a Prussian tunnelling machine into the streets of Paris, from five points of view (because I only half did the exercise):

Dirk Dynamo

The rumbling grew to a roar, the ground shaking beneath Dirk’s feet. He flung himself to the ground as the road in front of him exploded in a shower of dirt and fist-sized stones.

Out of the hole a vehicle emerged. It was unlike anything Dirk had ever seen before, but it was a moment’s work to see it was built for war. Seven feet high and three times as long, it was covered from end to end in heavy armoured plating, scraped from its journey through the earth. Great wheeled shovels protruded from the front, and small wheels propelled it into the street.

Dirk thought he had seen the future of war in the bloody fields of Gettysburg, but in that single moment he knew he had been wrong. Humans were far smarter than that. Smarter and more terrible.

Timothy Blaze-Simms

As the dirt settled, Blaze-Simms stared at the machine sitting in front of him. His eyes went wide with wonder, a smile lighting his face.

He had considered devices like it in the past, of course. Trackless trains, motorised wagons, that time he’d built a mobile factory. But this was something entirely new.

He pulled out his notebook and started frantically sketching. The armoured plating was clearly thick to withstand bullets, yet streamlined so as not to cause obstructions as it travelled through the dirt. The digging wheels looked to have been influenced by moles’ paws, as well as some of Brunel’s wilder inventions. The engine must be incredibly powerful, and most of the space filled with fuel.

A hatch opened in the roof. A glimpse of its fastening was all Blaze-Simms needed to make a note of the design. Someone was emerging, a gun in their hands.

“Get down!” Dirk slammed into him, knocking him to the ground as bullets whizzed past their heads.

Isabelle McNair

It was quite the ugliest thing Isabelle had ever seen. An ungainly mass of steel, smoke billowing from its rear and dirt sliding from its sides. The roar of its engine was accompanied by the grinding of ridged wheels over cobbles, the clang-clang-clang of its shovel wheels spinning against the street.

Stepping back into the shelter of a doorway, she watched as a hatch opened in the roof and soldiers started pouring out, guns already barking as they opened fire on anyone in sight. Because of course, what else would one do with a spectacular new advancement in transport, if not fill it full of soldiers?

She could imagine the excitement of the men who had made this thing, and of those riding in it. They would be like children with a new toy.

Still there was potential in the thing, if she could just get inside.

Hans the shoveller

Hans grunted as he flung another shovel-full of coal into the boiler. They told him this wasn’t just coal, it was something special, something powerful. Hans didn’t care. It was all just the same when you were the man who did the shovelling.

The floor tilted beneath him. He grabbed hold of the overhead rail as the whole vehicle swayed and then righted itself. The floor was horizontal again. That probably meant they were above ground.

Sparks flew at the disruption, smoke clogging the room and Hans’s lungs. He coughed, a wretched, rasping noise that had only gotten worse through all the weeks of training.

Join the army, they’d said. Fight for the homeland, they’d said.

So much for glory. Hans shifted his grip and kept shovelling coal.

Miura Noriko

The machine crawled down the street, smoke billowing from its rear, soldiers jogging along beside it with guns drawn. They looked ill-disciplined to Noriko, their blue suits impractical, their stances slovenly. Not real warriors.

The machine would be easy prey. It was so European she almost laughed. Bigger, harder, tougher, that was the way of westerners. Cover your machine in enough armour plates and you would make it invincible. Unless you left a hole in the top to come in and out by, or an open pipe to release the fumes. Everything had its weak points, even this.

Still, there was something admirable about it. A thing singular in purpose, all that engineering poured into the single task of digging through the ground. By the standards of these people it was almost subtle, to emerge from the ground beneath your enemy’s feet.


Reflecting on the Exercise

The main thing I got out of this was that I’m not clear on what the biggest gee-whiz excitement factor for these books is, except in the last volume, the climax of a hunt for the lost Great Library. Purely from the point of view of getting people excited about the story, I need to think about that.

Writing a scene from different viewpoints is always helpful though, and adding Hans in particular made me look at this in a different way.

Have you tried this exercise? What did you think?

* * *

On a completely different note, today’s the last day my book From a Foreign Shore is free on Amazon, so if you like historical fiction, alternate history, short stories or just my writing, why not check it out?

My heroes, ready for action, adventure and a nice cup of tea.

My heroes, ready for action, adventure and a nice cup of tea.

This week’s Writing Excuses podcast was a Q&A on story structure, talking about different approaches to structure and how to get the most out of them. This ‘pick the best bits’ approach fits well with the exercise they gave at the end:

Make a list of all the awesome things you want your story to accomplish. Then put them in the order in which you want them to happen.

As with the previous exercise about plotting with the beginning and end in mind, I’m going to use this exercise to help me develop a novella I’m planning, Sieges and Silverware. The fourth in a series, this sees Victorian adventurers Dirk Dynamo and Timothy Blaze-Simms arrive at a German castle in their pursuit of clues to the location of the Great Library. It’s 1871, Germany has just been unified, and the occupants of the castle are holding out against that unification. Major plotlines include a dispute with their former colleague Isabelle McNair, a siege of the castle, a mad scientist on the loose and some covert feminism in an age run by men.

Making it Easy for Myself

If I was working with pen and paper, I’d have to brainstorm all my ideas, then write them out again in order. Thanks to the magic of the digital age I can put them in order as I come up with them, and edit that order if I’m not happy with it. So what you’ll see is the end result.

Hooray for computers!

Plot Away

My list of awesome things, in order:

  • Dirk getting lost in the crazy layout of the castle.
  • A civilised dinner party in a building being bombarded by heavy artillery.
  • A monster hunt through the darkness of the castle dungeons.
  • An argument that addresses the problems for women in gaining influence in Victorian society.
  • Blaze-Simms invents a bizarre steampunk defensive device.
  • A small band of heroes fending off a massive assault.
  • A discussion on the nature and value of nationalism.
  • The discovery of a mad scientist’s laboratory.
  • Ninjas vs Prussians.
  • Dirk and Isabelle reconciling their differences well enough to work together again.
  • A desperate airship or balloon flight from the castle as it is captured.

All the Cool Bits

Theoretically, I can see a lot of value in this exercise as a way of starting plotting without losing your enthusiasm for a project. It lets you focus on all the coolest things you want to write, and then turn those into something at least a bit coherent and useful.

But for me, in this instance, it’s proved less useful. I came up with a few interesting things, like the Carry on up the Khyber style dinner party. But whereas the first few volumes of this series were about throwing in lots of new cool ideas, by this point the story is about developing and paying off the stuff that’s already in there. I suspect that cool ideas will emerge from the structure, not the other way around.

It’s fitting with the discussion from the podcast. Not every approach to structure is for everyone, and you use the ones that suit you.

Did you try the exercise? How did you get on? And how do you go about structuring stories? Leave a comment, let me know what you think.

If, in years to come, my descendants go through my treasured personal possessions to understand their family, they are going to be massively confused.

Pocket watch given to my real ancestor William Jackson on his retirement in 1920.

Pocket watch given to my real ancestor William Jackson on his retirement in 1920.

My biggest adventure involving this watch: dancing so hard at a friend’s wedding that the watch flew out of my pocket and the glass got smashed. Sorry William Jackson!

Copy of Dickens's Christmas stories given to the fictional valet Jackson, my character in a long running roleplay campaign, by his employer Lore Buffington, aka my friend Jules.

Copy of Dickens’s Christmas stories given to the fictional valet Jackson, my character in a long running live roleplay campaign, by his employer Lore Buffington, aka my friend Jules.

Complete with inscription, written 100 years after its supposed date.

Complete with inscription, written 100 years after its supposed date.

My biggest adventure involving this book: The night Jackson’s history of insanity was revealed in an old smugglers’ cove, while Lord Buffington was busy staking his vampire sister. It turns out that sane people don’t carry cake and tea through gun fights, and vampire slayer references are inevitable for a character known as Buffy.

Many of my happiest memories are of games I’ve played in. I just hope for their sake that future family historians can disentangle the real from the fictional. Or maybe not – maybe it’ll be more fun to believe that their ancestors slew monsters as well smelting steel.